{"id":5598,"date":"2022-05-06T08:57:57","date_gmt":"2022-05-06T08:57:57","guid":{"rendered":"https:\/\/kikiandjoost.com\/store\/2022\/05\/06\/design-open-april-20-and-friday-21-copy\/"},"modified":"2023-03-29T07:54:42","modified_gmt":"2023-03-29T07:54:42","slug":"coachella-valley-music-and-arts-festival-2022","status":"publish","type":"post","link":"https:\/\/kikiandjoost.com\/store\/2022\/05\/06\/coachella-valley-music-and-arts-festival-2022\/","title":{"rendered":"Coachella Valley Music and Arts Festival 2022"},"content":{"rendered":"\r\n
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Coachella Valley Music and Arts Festival 2022 opens today with immersive installations by 11 international artists and designers<\/strong>

Themes and ideas surrounding connectedness and our environment take on sensory and fantastical proportions through shared explorations of scale, material, color, sound and light<\/strong>\"\"
Playground\u00a0<\/em>by Architensions, photo by Julian Bajsel, courtesy Coachella Valley Music and Arts

The Coachella Valley Music and Arts Festival 2022 opens its doors to the public today, revealing a series of specially-commissioned, large-scale installations by 11 international designers, architecture and design studios and experimental artists who are working at the forefront of today\u2019s contemporary visual culture in Europe, Latin America, the UK and the United States, including the Coachella Valley.\"\"
Circular Dimensions x Microscape<\/em>\u00a0by Cristopher Cichocki, photo by Lance Gerber, courtesy Coachella Valley Music and Arts Festival.Complex, dynamic and ambitious in scale and design, the site-responsive installations explore a range of pressing topics and global themes surrounding environmental sustainability \u2013 from use to re-use, up-cycling to re-cycling, multi-cultural dialogue, immigration, community and exchange, social behavior and architecture, performance and pop culture. The installations span imaginary transformations and reinventions of everyday objects and experiences as fantastical, playful forms and spaces; progressive approaches to structure and material; subtle interplays of light, color and sound, and responses to the geography and topography of the desert landscape, its flora and fauna, temporal shifts from day to night and spectacular sunrises and sunsets. The installations serve as vital navigational markers on the field as gathering points, havens for shelter and respite, and spaces for reflection and contemplation on the Empire Polo Field over two weekends \u2013 April 15-17 and April 22-24, 2022. \u00a0

\u201cBuilding on our art program with designers, architects and visual artists from around the world and from the Coachella Valley allows festival-goers to explore shared global interests and perspectives through the experience of ambitious and one-of-a-kind, large-scale installations,\u201d commented\u00a0Paul Clemente<\/strong>, who manages the art program for the Coachella Valley Music and Arts Festival. \u201cIn the same way music is a universal language, the experience of these new spaces invites connectedness and adds an iconic sense of place in the spirit of the Festival. \u00a0After two years of planning, finally seeing the works come to fruition and make their way onto the field is very exciting. My hope is that they will surprise, inspire and inform, creating personal memories and serving as lasting beacons for the Festival.\u201d\u00a02022 ARTIST INSTALLATIONS<\/strong> Mutts\u00a0<\/em>by Oana St\u0103nescu<\/strong>

We can learn a lot from dogs: joy, lust for life, loyalty, unconditional affection and an endless capacity for interspecies love. The New York\u2013based Romanian architect makes the point with a pack of massive canine sculptures, each in a typical position, creating a dialog and inviting interaction. You can touch the nose of the stretching (downward) dog, walk under the pointer, and rest on the paws of the sitting dog. The striking silhouettes, built with steel frames and filled with a variety of plants – lantana (red, yellow, purple), cassia, fountain grass, yellow bell, jasmine – reduce the dogs to their minimal forms, allowing their expressions to speak through their contours and gestures. You begin to wonder what they\u2019re thinking. The plants add shagginess to the sculptures while creating a shaded place for gathering. Almost the entire installation is reusable and recyclable. St\u0103nescu, who is known for creating architectural wonderlands incorporating elements of nature, has collaborated with the late Virgil Abloh, Ye and the New Museum in New York. She teaches at the Harvard Graduate School of Design and MIT, and says her dog, a very good boi, is her favorite company. The project collaborators are Ashely Kuo and Mackinley Wang-Xu.\u00a0\"\"

Mutts\u00a0<\/em>by Oana St\u0103nescu, photo by Lance Gerber, courtesy Coachella Valley Music and Arts Festival.Buoyed\u00a0<\/em>by Kiki Van Eijk<\/strong>Three massive buoys, each about four stories tall and angled as if they\u2019re floating in a sea of grass, create a surreal and happy space where everybody belongs regardless of their differences. The Eindhoven, Netherlands\u2013based designer created\u00a0Buoyed\u00a0<\/em>with great optimism for the future. Each of the buoys includes cultural references emphasizing the goodness of diversity and inclusiveness. \u201cIt\u2019s about the journey we\u2019re making together in life and at Coachella,\u201d she explains. \u201cWhen you\u2019re at a festival for a few days, you\u2019re in a bubble, making a journey. Everybody becomes one.\u201d The off-white buoy is the most elegant with its slim neck and 15-foot diameter base. Butterfly wings spread from its shiny steeple and illuminate at night. The blue buoy combines an igloo form with a patchwork dome atop a Dutch-style windmill, and its 18-foot diameter base offers a walk-through passage. The green buoy is the largest, with a 24-foot diameter base whose soft stucco rim allows for comfortable seating. Its cage-like body climbs to a dramatic union dome topped with a plume of palm leaves. Together, the buoys create a fantastical space to meet, interact, and bond. At night, LED lights activate their silhouettes, while the daytime offers a softer experience, like a calm sea. Van Eijk is one of the most accomplished names in Dutch design. She works in a whimsical but rigorous fashion with ceramics, textiles, metal, wood and glass, as well as furniture and lighting design.

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Buoyed\u00a0<\/em>by Kiki Van Eijk, photo by Julian Bajsel, courtesy Coachella Valley Music and Arts Festival.

Cocoon (BKF + H300)<\/em>\u00a0by Mart\u00edn Huberman<\/strong>
Designed in Buenos Aires copied in California.
Remember the scene in\u00a0Close Encounters of the Third Kind\u00a0<\/em>when people looked up and marveled at the spaceship as it landed and music was the common language of communication? The Buenos Aires, Argentina\u2013based architect and designer offers a similar experience with his nine-story sculpture constructed with 300 reproductions of the iconic BKF, or as otherwise known worldwide \u201cbutterfly,\u201d chair. In Buenos Aires in 1940 three architects \u2014 Bonet, Kurchan and Ferrari \u2014 designed the original chair, which was added to MoMA’s permanent collection a year later. The chair was quickly adopted by popular culture but its true success came through the reproduction of copycats and knock off chairs that spread among projects of the mid-century modern style. Thus the butterfly overtook the BKF and the prominent work of Argentinian design was invisibilized within popular culture. Huberman has reclaimed the narrative, naming his work\u00a0Cocoon (BKF+H300)\u00a0<\/em>and using the reproductions to complete a structural irony of the mythological origin of a chair that was born out of a cocoon. The stunning architecture, which includes a silky \u201cskin\u201d made of window shade-type material, offers shade during the day and illumination at night. Huberman, known for transforming everyday objects such as clothespins into site-specific public art, combines his experimental design practice Estudio Normal with his work as director of Galer\u00eda Monoambiente, the first space in Buenos Aires dedicated to experimental architecture and design.

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Cocoon (BKF + H300)\u00a0<\/em>by\u00a0Mart\u00edn Huberman, photo Lance Gerber, courtesy Coachella Valley Music and Arts FestivalPlayground\u00a0<\/em>by Architensions\u00a0<\/strong>

In a colorful gesture to bring urbanity to the desert, Architensions, the architectural design and research studio of Alessandro Orsini and Nick Roseboro, presents a fragment of a city \u2014 a vertical response to the single-story suburban sprawl in the Coachella Valley. Drawn from research into the history of leisure and focused on human interaction with architecture, the module grid framework encompasses four towers, each ranging from 42 to 56 feet in height and a few linked by skybridges. Each tower features a variety of geometric forms, some with cyan, magenta and yellow dichroic film that bathes the surrounding area in colors as the sun shines through them, and others mirrored to encourage people to interact with them. At night, the mirrors amplify the lighting, performances, and the activity around the structure. The design also contains cultural references, such as arches suggestive of Roman architecture. Italianate also is the centerpiece \u2014 the piazza \u2014 a 174-by-104-foot public square at the intersection of the towers where people can rest on benches that flank its elevated platform. It\u2019s a place for people to assert their own narrative \u2014 otherwise known as the fifth dimension of architecture: the experience.\u00a0

Circular Dimensions x Microscape<\/em>\u00a0by Cristopher Cichocki<\/strong>
The five-story-tall\u00a0Circular Dimensions (Microscape)<\/em>, constructed with more than 25,000 feet of PVC tubes, presents a visual spectacle peering into the artist\u2019s ongoing exploration of water and the history of the desert. The bandshell-shaped pavilion contains a laboratory where scientists and artists generate experimental \u201cvideo paintings\u201d by manipulating water, salt, barnacles, and algae from the Salton Sea under microscopes and projecting the activity in real time inside the pavilion\u2019s \u201cnucleus.\u201d Meanwhile, a soundscape of field recordings and industrial rhythms resonates through the structure\u2019s circular tunnels, elevating in intensity from day to night. Cichocki, based in Southern California\u2019s Coachella Valley, creates \u201cnew earth art\u201d interventions as well as video and installation works informed by his deep roots as a biomorphic painter.\u00a0Microscape\u00a0<\/em>gives mammoth new context to his familiar materials, including reclaimed irrigation tubing and a \u201cmutant\u201d cast resin aloe vera \u2014 \u201ca surviving seed\u201d from the desert\u2019s ancient sea. When the sun goes down, the magnitude of the pavilion amps up with the artist\u2019s ever-evolving audiovisual performance\u00a0Circular Dimensions<\/em>.

La Guardiana\u00a0<\/em>by LosDos<\/strong>
La Guardiana<\/em>\u00a0towers over the festival grounds wearing an\u00a0enredo\u00a0<\/em>(skirt), a\u00a0rebozo\u00a0<\/em>(shawl) to carry her child, a mask to conceal her identity, and horns to represent strength. She is the guardian of the immigrants from Mexico, Central America, and around the globe. The iconography on her\u00a0enredo\u00a0<\/em>includes people walking and traveling by train and boat toward the border wall \u2014 an appeal for an understanding of the reasons that people make the dangerous journey to strange lands. The figure was created by El Paso, Texas-based artists Ramon and Christian Cardenas, aka, LosDos. The husband-and-wife duo is known for creating murals, screenprints, street poster installations, and even a large-scale inflatable sculpture, drawing their characters and ideas from everyday life in El Paso and Juarez, Mexico.

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La Guardiana\u00a0<\/em>by LosDos, photo Julian Bajsel, courtesy Coachella Valley Music and Arts FestivalReturning to Coachella for a third year is UK art and design studio\u00a0NEWSUBSTANCE\u00a0<\/strong>which creates performative, site-specific and temporal works around the world. Their Coachella installation\u00a0Spectra\u00a0<\/em>won\u00a0The Architect\u2019s Newspaper 2018<\/em>\u00a0Best of Design Award in the Lighting-Outdoor category, as well as a 2018 Gold prize from the International Design Awards. Also featured in this year\u2019s program are returning favorites\u00a0Do LaB<\/strong>, the Los Angeles-based creative team that reimagines venues, such as this year\u2019s stage\u00a0Warrior One<\/strong><\/em>, as fantastical and interactive experiences inspired by human connection, authenticity, and environmental sustainability, New York artist\u00a0Robert Bose<\/strong>, the mastermind behind the quarter-mile long kinetic\u00a0Balloon Chain<\/strong><\/em>,\u00a0Don Kennell<\/strong>, the Santa Fe, New Mexico-based artist, whose monumental animal sculptures, such as\u00a0BigHorn Sheep\/Horse<\/strong><\/em>\u00a0connect audiences through the exploration of nature and community, and after-school artists\u00a0Raices Cultura<\/strong>\u00a0from the City of Coachella, who will present\u00a0Blooming Culture<\/strong><\/em>.MEDIA INQUIRIES<\/strong>For media inquiries and accreditation requests relating to coverage of the 2022 program of artist and design installations, please contact:

Lyn Winter, Inc.<\/strong>
Lyn Winter,\u00a0lyn@lynwinter.com<\/a>
Denise Sullivan,\u00a0denise@lynwinter.com<\/a>DOWNLOAD PRESS KIT<\/a>ABOUT GOLDENVOICE<\/strong>

Goldenvoice, creators of Coachella Valley Music & Arts Festival and Stagecoach: California\u2019s Country Music Festival, operates successful Los Angeles and Bay Area music venues including the Fonda Theatre, The Roxy Theatre, El Rey Theatre, The Novo, Shrine Auditorium & Expo Hall, The Regency Ballroom and The Warfield. Goldenvoice holds exclusive booking deals at Brookside at The Rose Bowl, Santa Barbara Bowl, Mountain Winery and Frost Amphitheatre. They also have produced events such as Desert Trip, Camp Flog Gnaw Carnival, Day N Vegas, Just Like Heaven and many more. Beginning as an independent punk rock promoter in the early 1980s, Goldenvoice grew to be the preeminent alternative promoter in Southern California by forging strong relationships with both bands and music fans. Currently, Goldenvoice promotes over 2,000 concerts a year in California, Arizona, Nevada, Hawaii, Alaska and Canada plus recently adding North American tours to their growing list of accomplishments. For additional info, please visit\u00a0www.Goldenvoice.com<\/a>.
\u00a0For more Festival information please visit\u00a0coachella.com<\/a><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n

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